The source of TIME TEXTURES’ depth is how it seamlessly controls four basic parameters separately for both of the instrument layers and ties them to the mod wheel.

ATTACK VOLUME
Adjusts the volume of the first sound particles played when a new note has been triggered.

SEED
Determines the way each particle is triggered.

NOTE SELECT
Changes how the engine interprets your played notes.

SPREAD
Determines the position of the sound particles in the stereo field depending on the pan settings.

GAIN
Adjusts the overall gain of the emitter.

PAN
The panning of each emitter can be adjusted.

METICULOUSLY RECORDED
TIME TEXTURES consists of 25 instrument patches, each one meticulously recorded and sampled, with up to six round robins and up to five dynamic layers. For each instrument patch, we also recorded several instrument-specific articulations in addition to the sustains, which can be faded into the texture using a slider.

MULTIPLE ARTICULATIONS
The string patches each have their own tremolo and staccato samples that can be used to enrich your texture and add movement. The woodwind patches feature Tenuto, Triplet Tongue and Staccato samples. For the Brass patches we included Tongue Staccato, Flutter Marcato and Muted Staccato articulations. And for the keys section, in addition to the harp, felt piano and grand piano samples, we recorded harp harmonics, as well as several prepared grand piano samples.

EVER-EVOLVING SOUNDSCAPES
All samples were edited in a special way that allows the TIME TEXTURES engine to arrange them in a certain order and form them into soundscapes – stringing together different sound particles in an ever-changing way.